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Peter Reason's avatar

I have read both Deivon Drago’s critique of panpsychism and Matthew Segall’s response carefully. As I reflect on these, I reflect that I am primarily engaged with a panpsychist perspective, not because it is conceptually watertight, but because it provides guidance as to how we humans should live convivially, respectfully, and creatively on this planet. From this starting point, both contributions miss what seems to me the most important point, which is not to get the theory right but to consider the essential issue of living well as humans as part of the community of life on Earth – which we are doing remarkably badly at present.

My own engagement has certainly not been a-theoretical, it is guided in particular by the ‘living cosmos panpsychism’ articulated by Freya Mathews. However, with my colleagues I have taken this further into critical experiential exploration through the Living Waters inquiry programme. For to adopt and practice some form of what Drago calls ‘cosmopsychism’ is not just to illuminate the origin of consciousness. It is to open a vision of the possibility that humans, alongside all living beings, have evolved as part of the creative process of the cosmos. We can think of ourselves as creative disturbances, eddies in an ever emerging, deeply woven whole, little selves that are part of the primary Self that is the cosmos. This allows us to see the cosmos is not simply alive, but by its nature communicative, seeking to engage with us in some poetic form – Freya Mathews terms this ‘ontopoetics’. It opens us to the possibility that as I sit in communion with River, when Kingfisher flies by, when Swans unexpectedly circle overhead, when a shower of rain falls on an otherwise dry day, these are responses to my respectful presence and invocation.

This practice of sitting communion with River suggests that we can find creative ways to check or corroborate our metaphysical position against experience. It provides an opportunity for thorough-going experiential inquiry in questions of the kind: What is it like to live in a world of sentient beings rather than inert objects? How do we relate to such a world? And if we invoke such a world of sentient presence, calling to other-than-human beings as persons, might we elicit a response? These challenging questions have been at the heart of a series of co-operative inquiries over the past six years, exploring our relationship with Rivers as sentient beings, involving over 120 human persons and at least as many bodies of water.

It has become evident to those involved in the inquiries that to live in a cosmos which is infused with interiority, a living, responding, meaningful cosmos, is quite different from living one experienced as brute matter. Through these inquiry practices our experience of the nature of our world is radically re-arranged. It becomes evident that experiences of a sentient, responsive, communicative world are available not just to Indigenous people living in traditional cultures, but to all human persons willing to put in the time, the attention, to risk their taken-for-granted sense of self, and to open themselves to that possibility. For some documentation of this process Learning How Land Speaks.

‘Take care of Country and Country will take care of you’ as Indigenous Australians have it, takes us to an utterly different world from ‘Drill, baby, drill!’ To live in a cosmos that we take as ‘deep-souled, subtly mysterious… of great spiritual beauty and creative intelligence’ (as Richard Tarnas puts it so beautifully in Cosmos and Psyche) puts us in a position from which it is no longer possible to create the kind of ecological havoc evidenced by advanced ever-more-extractive capitalist culture.

Of course, the philosophical arguments are interesting and important; we must be careful not to fool ourselves, and we need a rigorous intellectual frame as a starting point our inquiries or we will be in danger of drifting around in a sea of uncritical subjectivity. But we can cycle around questions of combination or decombination, we can articulate Whitehead’s elaborate scheme, without touching the imaginative possibilities of a panpsychic perspective as a new story to live by. Maybe the best use of theory, as Richard Rorty has it, is not to reach for truth but the redescribe our world in liberating ways. More than this, theories are double edged: they may illuminate but may also replicate the abstraction that has haunted western civilisation since very early times. Theorizing without resort to experience necessarily places us in the position of spectator, looking at a world that is essentially separate from us, ‘out there’ and so manipulable, which leads to the meta-crisis of the present time.

We may spend so much time getting our theory ‘right’, adjusting and disputing the finer points, that we forget that life is about living and so distance ourselves from the essential issue of living well on the Earth. We humans – we modern Western humans – need urgently to shift our sense of who we are, to experience ourselves, not through primarily intellectual endeavour, but directly, through our feelings, intuitions and imagination, as part of the whole. If panpsychism can play some part in facilitating this, it is worthy of our consideration and experiential exploration.

Occam’s Beard's avatar

Tongue in cheek: Japan’s attempt to tame erosion by lining so many riverbanks with concrete has created its own ecological wounds. It is almost the mirror image of Whitehead’s fallacy of misplaced concreteness: instead of mistaking abstractions for reality, it mistakes concrete for wisdom — what we might call the fallacy of misplaced concrete.

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